01          01project:project projects (open and hosted: Melbourne)
context: process-based exhibition of a four week duration, in which the work was developed and ammended on a daily basis.  site: interior gallery and surrounding urban environment at RMIT Project Space, July 2006, Melbourne 02          02project: provisional devices for a propositional living space 
context: prop-based installation incorporating a series of workshops for the development of choreographies, drawings, constructions and videos through a series of one-to-one collaborations.
site: Gertrude Contemporary Art Spaces, October-November 2007, Melbourne
images: process, development, recording and installation in situ
prop development and installation: Bianca Hester
 spatial design processes: with Daniel van Cleemput
 movement and cheoregraphic work: with Jude Walton
 essay: Dylan Rainforth 03          03video still made during provisional devices for a propositional living space 04          04project: installation incorporating a two hour performance generated from an arena of objects, instruments and fragments of found material 
context: performed during the opening of line drawing curated by Dr Linda Marie Walker, alongside the work of James Geurts and Julie Henderson on July 14th 2008 
site: South Australian School of Art Gallery, July 2008, Adelaide
images: performance stills extracted from a two hour  video 
performers: John Barbour, Bridget Currie, Bianca Hester, Linda-Marie Walker & Stephen Whittington
notes: implements, actions and a scoring of moments involved the installation of an arena of objects - of bits and pieces cobbled together from past projects - to produce a setting for the staging of actions. A score was developed which involved a sequence of instructions outlining a set of possibilities for engaging each of the implements presented. A score was given to four performers including John Barbour, Linda Marie Walker, Bridget Currie and Stephen Whittington detailing a series of possibilities for engagement with the objects, and with each other. 05          05project: project projects (London)
context: process-based installation involving a multiplicity of engagements
site: The Showroom, January - April 2008, London
images: sequence stretches taken from a video made during the exhibition
general notes: project projects involved a combined residency/exhibition spanning an  eight-week period. Approached as an expanded studio, The Showroom became a site within which to develop structures, furnishings and instruments. These enabled different engagements with others across a number of levels. The project involved a multi-layered clustering of a series of forms and activities – some architectural, some musical, some material, some collaborative, some improvisational, some sculptural. project projects became a situation for hosting and generating a series of one-to-one collaborations with a range of people from Melbourne and London – taking place within the company of, and in response to, a multiplicity of informal structures and transient sculptural constructions. These collaborations involved sound recordings and improvisations, developing sequences of movement, collaborative building processes, and the planning and building of a makeshift raft to navigate down the Regents Canal in London’s East End. 06          06project: only from the perspective of a viewer situated upon the surface of the earth does day and night occur 
context: Installation incorporating architectural appropriations, posters, image work and five tonnes of concrete bricks
site: The Narrows, April 2009, Melbourne
images: detail of flooring built with concrete bricks (photos by Tobias Titz)
material notes:
bricks (4 tonnes): laid with assistance from Warren Taylor, Merryn Lloyd, Ben Hobson, Simon Martinus, Sophia Mitchell, and Matt Hinkley // pine beams: winched up through the window with assistance from Warren Taylor and Olivia Barret // rope (orange): 20 linear meters installed between the corridor and the office of the next building with assistance from Rob Nudds // rope (white): from corner to floor // masking tape: applied at the limit of arm’s reach, encircling the room // gallery lights (main space): off // gallery lights (office): on // store room lights: on // fluorescent lights (mobile): one naked, one wrapped in pink paper // images: digital collages on kayenta paper //  07          07project: publication titled accomodating spaces, materials, projects, people, videos, actions, objects, thoughts, relatively
published: on the occasion of the project titled only from the perspective of an observer situated on the surface of the earth does day and night occur, April 2009
complication and design: Bianca Hester and Warren Taylor
published by: The Narrows. 
texts: Dr Adrian Parr, Dr Terri Bird, Dr Bianca Hester, Caterina Riva
108 pages
ISBN 978-0-9805877-6-0 
edition of 400 08          08rock collage
digital collage on acid free paper
A3
edition of 10 09          09structure collage
digital collage on acid free paper
A3
edition of 10 01project:project projects (open and hosted: Melbourne)
context: process-based exhibition of a four week duration, in which the work was developed and ammended on a daily basis.  site: interior gallery and surrounding urban environment at RMIT Project Space, July 2006, Melbourne
01 02 03 04 05 06 07 08 09










Bianca Hester Biography

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