CAROLYN ESKDALE |
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AWARDS, GRANTS AND COMMISSIONS |
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2008 |
Residency Birrarung House. Eltham.Parks Victoria/Nillumbik Shire Residency program. |
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2006 |
Residency, Barcelona Studio, Australia Council |
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Laneway Commission, Melbourne City Council. |
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2004 |
Commission. On Reason and Emotion. Biennale of Sydney, Sydney. |
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Short-listed. Arts ACT, Gorman House Public Sculpture Commission. |
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2003 |
Nillumbik Art Prize. |
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2002 |
Commission. Heimlich/UnHeimlich, Melbourne Festival, Melbourne. |
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Residency. Boomerang House. Parks Victoria/Nillumbik Shire Residency Program. |
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2000 |
VA/CB Australia Council Project Grant. |
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1999 |
Kedumba Drawing Award. |
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The Melbourne Savage Club Painting Prize. |
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1998 |
Commission. IKON Gallery, Birmingham, United Kingdom. |
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1996 |
VA/CB Australia Council Artist-Run Initiatives Project Grant. |
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1994 |
Residency. Sydney University Power Institute Studio, Cité Internationale des Arts, Paris. |
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1993 |
VA/CB Australia Council Artist-Run Initiatives Project Grant. |
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1989 |
National Gallery of Victoria Society Acquisitive Prize. |
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1988 |
National Gallery of Victoria Society award. |
SOLO EXHIBITIONS |
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2008 |
Will to Build, Conical,Melbourne |
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Will to Build, Birrarung House, Eltham |
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2006 |
drawings and models, counterpoint, Melbourne |
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2002 |
three rooms, Canberra Contemporary Art Space, Canberra. |
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2001 |
untitled rooms, Australian Centre for Contemporary Art, Melbourne. |
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1999 |
untitled room 6.99, Temple Studio, Melbourne. |
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1997 |
Drawings, Temple Studio, Melbourne. |
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untitled room 4.97, Pendulum, Sydney. |
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1996 |
untitled room 8.96, Temple Studio, Melbourne. |
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1995 |
Drawings, Ether Ohnetitel, Melbourne. |
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the untitled room 9.95, Building 40 Project, RMIT University, Melbourne. |
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1994 |
Reconstructed Furniture, Temple Studio, Melbourne. |
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1993 |
Navigation: Projection piece #4, Temple Studio, Melbourne. |
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Widow: Projection piece #3, Optik Series, Room 4, Linden Gallery, Melbourne. |
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1992 |
I Trace You, 200 Gertrude Street, Melbourne |
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I Trace You, Projection piece #2, Temple Studio, Melbourne. |
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Graft ‘Slide’ installation, 200 Gertrude Street, Melbourne. |
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1991 |
Projection piece #1, Temple Studio, Melbourne. |
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Procession, Platform, Spencer street, Melbourne. |
SELECTED GROUP EXHIBITIONS |
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2008 |
Dream Home, Plimsoll Gallery, University of Tasmania, Hobart |
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2006 |
Third Person (collaboration with Greg Creek), Project Space and School of Art Gallery, RMIT University Melbourne. |
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City of Melbourne 2006 Laneway Commission, Melbourne. |
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2004 |
On reason and emotion, Biennale of Sydney. Art Gallery of New South Wales. |
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2003 |
Orifice, Melbourne Festival. Australian Centre for Contemporary Art, Melbourne. |
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2002 |
Heimlich/UnHeimlich, Melbourne Festival, RMIT University Gallery, Melbourne. |
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National Works on Paper, Mornington Peninsula Regional Gallery, Mornington. |
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2001 |
A Studio in Paris – Australian Artists at the Cité 1967-2000. S.H.Ervin Gallery, Sydney. |
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2000 |
Oblique Shadows, Sculpture Square, Singapore (touring Australia). |
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Hard Candy, Project Space Rebecca. London, U.K. |
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1999 |
Moët & Chandon Fellowship Exhibition, Art Gallery of South Australia, Adelaide. |
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Look Again: Contemporary Prints & Drawings from the collection, NGV, Melbourne. |
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The Kedumba Drawing Award Exhibition, Kedumba Gallery, Leura, N.S.W. |
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National Works on Paper, Mornington Peninsula Regional Gallery. Mornington. |
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1998 |
Eye Dreaming, Percy Grainger Museum, Melbourne University, Melbourne. |
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Claustrophobia, IKON Gallery, Birmingham, U.K. (touring U.K. and Denmark). |
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All this and Heaven Too, Adelaide Biennial of Australian Art. Art Gallery of S.A., Adelaide. |
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1997 |
Moët & Chandon Fellowship Exhibition, Art Gallery of Queensland, Brisbane. |
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1996 |
Location Location Location, Linden Gallery, Melbourne. |
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Rapport, Singapore Art Museum, Singapore; Monash University Gallery, Melbourne; and touring. |
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Mrs Bird’s House, Private residence, Melbourne. |
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Secret Archive, Platform 2, Degraves St. Subway, Melbourne. |
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1995 |
A Gathering of Shades – Images of Death in Melbourne, Temple Studio, Melbourne. |
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1994 |
43 Countries, 75 Artists, Cité Internationale des Arts, Paris, France. |
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The Aberrant Object – Women, Dada & Surrealism, Museum of Modern Art at Heide, Melbourne. |
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1993 |
The Forests of Ourselves – Interventions, 5th Australian Sculpture Triennial, Melbourne. |
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1992 |
F.A.C.T: A.I.P #6, Linden Gallery & Australian Centre for Contemporary Art, Melbourne. |
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Re-view, Gore Street Gallery, Melbourne. |
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1990 |
Dislocation, RMIT Gallery, Story Hall, Melbourne. |
SELECTED REFERENCES AND LINKS |
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2006 |
Carolyn Eskdale and Greg Creek, Third Person Collaboration, interview / catalogue. Project Space Publication R.M.I.T Melbourne. |
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2004 |
Greg Creek, ‘Carolyn Eskdale’, ‘On Reason and Emotion’, 14th Biennale of Sydney 2004, exhibition catalogue, Biennale of Sydney Ltd, Sydney, 2004, pp 86. Michael Desmond, ‘ On reason and emotion: Biennale of Sydney 2004.’ Art Monthly, August 2004, no.172. p.20 |
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2003 |
Juliana Engberg, ‘Orifice’, Melbourne International Arts Festival Visual Arts Program 2004, exhibition catalogue, ACCA, Melbourne, Australia, 2003, pp 6. |
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2002 |
Juliana Engberg, ‘The Heimlich unHeimlich’, Melbourne Festival Visual Arts Festival 2002, exhibition catalogue, RMIT University Gallery, Melbourne, Australia, 2002, pp 4-30 |
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Saskia Beudel, ‘Topographies of Memory: Carolyn Eskdale’s room’, Carolyn Eskdale room, Canberra Contemporary Art Space & Carolyn Eskdale, Canberra, 2002, pp 48 |
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2001 |
B. L Manger, ‘Carolyn Eskdale - Untitled Rooms’, untitled rooms, exhibition catalogue, Australian Centre for Contemporary Art, Melbourne, Australia, 2002, pp 2 |
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1999 |
Naomi Cass, ‘Parallax Error’, Artlink, Artlink Australia, Vol 19 #1, Adelaide, Australia, 1999, pp 52-55 |
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1998 |
Claire Doherty, ‘Parachuting postponed: Australian Artists in Birmingham’, Artlink, Artlink Australia, Vol 18 #4, Adelaide, Australia, 1998, pp 48-50 |
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1997 |
Brenda Ludeman, ‘The Fabric of Fiction’, Globe e Journal of Contemporary Art, Issue #6, Melbourne, Australia, 1997. http://www.arts.monash.edu.au/visarts/globe/ghome.html |
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1996 |
Natalie King, ‘Synthetic materials, Memory and Ephemerality’, Rapport, exhibiton catalogue, Monash University, Melbourne, Australia & Singapore Art Museum, Singapore,1996, pp4-10 |
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Natalie King, ‘Building 490 Project’, Art & Australia, Fine Art Press Pty Ltd, Vol 33 #4, Sydney, Australia,1996, pp 574-575 |
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1994 |
Chris McAuliff, ‘Pull Up a Chair’, World Art, G+B Arts International AG, Vol 1 #2, Melbourne, Australia, 1994, pp 48-51 |
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Ross Moore, ‘Decking out identities - performing gender’, Art Monthly, Art Monthly Australia Pty Ltd, #71, Canberra, Australia,1994, pp 6-9 |
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Penny Webb, ‘Carolyn Eskdale - Recontructed Furniture’, Agenda: Contemporary Art Magazine, Centre for Design RMIT, Issue #36, Melbourne, Australia, 1994, pp 11-12 |