KATE DAW |
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EDUCATION |
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2000–05 |
PhD (Fine Arts), Victorian College of the Arts, The University of Melbourne |
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1997–99 |
Master of Arts (by research), RMIT, Melbourne |
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1995–96 |
Postgraduate Diploma (Distinction), Glasgow School of Art, Scotland |
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1987–89 |
Bachelor of Fine Arts, Victorian College of the Arts, Melbourne |
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1983–84 |
Bachelor of Arts (Fine Arts), Curtin University, Perth, WA |
INDIVIDUAL EXHIBITIONS |
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2009 |
Restaurant project, ACCA and Mirka@Tolarno, Melbourne |
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2006 |
A Simple Act (with Stewart Russell), William Mora Galleries, Melbourne |
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The Between Space, Art Gallery of Western Australia |
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2005 |
The Between Space, VCA Margaret Lawrence Gallery, Melbourne |
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2003 |
1000, JOY and The Ipcress File, William Mora Galleries, Melbourne |
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2002 |
Love, Work, William Mora Galleries, Melbourne |
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2001 |
Art, Work, Life, Glasgow School of Art, Glasgow, UK |
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1999 |
Art, Work, Life, William Mora Galleries, Melbourne |
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Notes and Sources, International Artspace, Kellerberrin, WA |
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1997 |
Work: four recent projects, William Mora Galleries, Melbourne |
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1995 |
Double Happiness and a new configuration of paintings, William Mora Galleries, Melbourne |
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4 Projects, Faculty of Fine Art, MS University, Baroda, India |
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4 Projects, Askar Gallery, Bharat Bhavan, Bhopal, India |
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1993 |
Carlo & Winkle, 200 Gertrude Street, Melbourne |
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An Exhibition, William Mora Galleries, Melbourne |
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Dancing Girls, Store 5, Melbourne |
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1992 |
That’s not a Hat, That’s a Love Affair, William Mora Galleries, Melbourne |
SELECTED GROUP EXHIBITIONS (SINCE 2000) |
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2008 |
Basil Sellers Art Prize (Finalist), Ian Potter Museum of Art, Melbourne |
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2007 |
Musicircus (with John Meade), Melbourne International Arts Festival |
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Snap Freeze: Still Life Now, Tarrawarra Museum of Art, Victoria |
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2005 |
The Truth Universally Acknowledged, ACCA, Melbourne |
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Slave (collaborative work with Stewart Russell), VCA Margaret Lawrence Gallery, Melbourne |
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Store 5 is…, Anna Schwartz Gallery, Melbourne |
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2004 |
Recent Acquisitions, National Gallery of Victoria, Melbourne |
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The Spirit of Football, National Gallery of Victoria, Melbourne |
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2003 |
Hothouse: The flower in Contemporary Art, Monash University of Art touring exhibition |
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2001 |
Humid, Spike Island, Bristol, UK as part of Melbourne International Festival, Australian Centre for Contemporary Art, Melbourne and Auckland Art Gallery, New Zealand. Curator: Juliana Engberg |
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Angel Dust, Intermedia Gallery, Glasgow, UK. Curators: Beagles and Ramsay |
WRITING AND PUBLICATION PROJECTS (SINCE 2000) |
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2008 |
Co-editor (with Vikki McInnes) of Bureau, VCA Margaret Lawrence Gallery publication, The University of Melbourne |
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Artist project for A Time Like This catalogue, VCA Margaret Lawrence Gallery, Melbourne |
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‘Keep Calm and Carry On’, Arena Magazine, November/December issue |
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2007 |
‘Fly High Fly Low, essay for Bird Girls catalogue, VCA Gallery, Melbourne |
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2005 |
The Between Space; Narrative and Contemporary Visual Art, PhD thesis submission |
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2005 |
Artist Project for Short Ride in a Fast Machine, Gertrude Contemporary Art Spaces, 1985-2005,editor: Charlotte Day |
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2002 |
One Possibility poster/publication, William Mora Galleries, Melbourne |
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2001 |
Drive publication, Australian Centre for Contemporary Art, Melbourne |
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2000 |
Artists Talk, West Space publication |
BIBLIOGRAPHY (EDITED) |
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2007 |
Jenna Blyth, ‘A Moment in Time’, Snap Freeze: Still Life Now, catalogue essay, TWMA, |
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2006 |
Penny Webb, ‘Visual Arts’, The Age, Oct, 2006 |
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Robert Nelson, ‘Political spies in our midst open the book on exclusion and the establishment’ The Age, Oct, 2006 |
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Juliana Engberg, ‘Between Meaning and Things’, catalogue essay for The Between Space, Art Gallery of WA |
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2005 |
Juliana Engberg, ‘1000 moments of Joy’, catalogue essay for The Between Space, VCA Margaret Lawrence Gallery |
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Louise Adler and Rebecca Coates, Truth Universally Acknowledged catalogue, ACCA, Melbourne |
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Megan Backouse, ‘Tea Time of the Soul’, The Age, 13 August, 2005 Weekend Review |
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Zelda Crawthorne, ‘The Truth is Out There’, Herald-Sun, 17 August, 2005 |
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2002 |
Megan Backhouse, ‘Death-row dinner’, The Age, 6 April 2002, Arts section, p 19 |
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2001 |
Juliana Engberg, Humid, ex cat, Australian Centre for Contemporary Art, Melbourne |
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1998 |
Charlotte Day, All this and heaven too, Adelaide Biennale catalogue |
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1997 |
Robert Rooney, ‘Kate Daw’, The Australian, 14 March 1997 |
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Stephen Feneley, Interview with Chris McAuliffe, University of Melbourne and Max Delany, Museum of Modern Art at Heide, express, ABC TV, 17 March 1997 |
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1996 |
John Calcutt, Glasgow/Berlin, ex cat, Kunstlerwerkstation, Westend Bahnhof, Berlin |
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Ewen McDonald, Catherine Harris and Chaitanya Sambrani, Double Happiness and a new configuration of paintings, ex cat, William Mora Galleries, Melbourne |
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Digvijay Singh, ‘Australian arts have remarkable novelty’, National Mail |
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Max Delany, ‘Incomplete projects and unfinished business: To Sir with Love’, Perspecta 95, exhibition catalogue, Art Gallery of New South Wales, Sydney |
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1995 |
Robert Nelson, ‘Saying it with flowers, with wit and colour’, The Age, 8 March 1995 |
AWARDS/GRANTS |
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2008 |
Finalist, Basil Sellars art prize, Ian Potter Museum, University of Melbourne |
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2007 |
New Work Grant, Arts Victoria Creative Fellowship, State Library of Victoria, Melbourne |
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2005 |
Artist in Residence, Victorian Tapestry Workshop, Melbourne |
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2003 |
New Work Grant, Arts Victoria |
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2001 |
PhD Scholarship, University of Melbourne |
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2000 |
International Cultural Exchange Program, Arts Victoria |
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1999 |
Residency and exhibition, International Artspace, Kellerberrin, Western Australia |
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Victorian College of the Arts Research Grant |
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1998 |
Finalist, Moet and Chandon Australia Art Fellowship |
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New Work Grant, Australia Council |
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1997 |
Finalist, John McCaughey Memorial Art Prize |
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International Cultural Exchange Program, Arts Victoria |
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1996 |
International Cultural Exchange Program, Arts Victoria |
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Residency, Athens School of Art, Greece |
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1995 |
Samstag Scholarship Fellow – Glasgow School of Art, Scotland |
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Asialink Overseas Studio Program, India |
COLLECTIONS |
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National Gallery of Victoria, Art Gallery of Western Australia, Monash University, Melbourne; Western Mining; Cruthers Collection; Artbank, Sydney Myer Collection, Melbourne; Sir Elton John |
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COMMISSIONS |
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2005 |
Mercer Human Resources (with Gertrude Contemporary Art Space), Melbourne |
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1998 |
Seven Rock Posters, Feathers winter advertising campaign |
SELECTED PROFESSIONAL EXPERIENCE |
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2009 |
Curator (with Vikki McInnes) Cock and Bull, Margaret Lawrence VCA Gallery, Melbourne |
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2008 |
Artist lecture, Glasgow School of Art, MFA program |
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2007– current |
Lecturer, VCA, School of Art, University of Melbourne |
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Chair, Creation panel, Arts Victoria |
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2007 |
Curator (with Vikki McInnes) Bird Girls, Margaret Lawrence VCA Gallery, Melbourne |
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2005– current |
Coordinator, After Hours, Victorian College of the Arts, Melbourne |
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2003–05 |
Chair, Next Wave Festival Board |
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2001 |
Lecturer, Centre for Ideas, Victorian College of the Arts, Melbourne |
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2000–06 |
Lecturer, Painting, Victorian College of the Arts, Melbourne |
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Lecturer, Sculpture, RMIT, Melbourne |
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1999 |
Board Member, Next Wave Festival |
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1998 |
Visiting artist and lecturer, Glasgow School of Art |
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Tutor, Sculpture, RMIT, Melbourne |
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Coordinating Editor, Next Wave Festival catalogue |
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1997 |
Curator, KLICK, 1st Floor, Melbourne |
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1996 |
Coordinator, KLICK, Transmission Gallery, Glasgow |
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Selection panel, Be er Monsta, video program, Glasgow, London, Dublin |
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Tutor – Painting and Drawing, Summer School Program, Glasgow School of Art, Scotland |
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1995-6 |
Tutor, Glasgow School of Art – Department of Historical and Critical Studies and Continuing Education Program |