SPIROS PANIGIRAKIS |
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EDUCATION |
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2009 |
PhD candidate (by research) Fine Arts Monash University |
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2001 |
Graduate Diploma in Education, The University of Melbourne. |
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2000 |
Bachelor of Arts, Fine Arts, Sculpture: First Class Honours, RMIT. |
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1999 |
Bachelor of Arts, Fine Arts, Painting, Royal Melbourne Institute of Technology |
SOLO EXHIBITIONS |
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2008 |
Studio Conditions, VCA Margaret Lawrence Gallery. Melbourne |
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2006 |
WITHOUT, Gertrude Contemporary Art Spaces, Melbourne |
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2005 |
WITH, CLUBSproject Inc, Melbourne |
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2003 |
Hedgeworks, TCB Artist Space, Melbourne |
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Handling, West Space, Melbourne |
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2001 |
The girl and the gardener, (with Starlie Geikie) 1st Floor Artist and Writers' Space, Melbourne |
GROUP EXHIBITIONS |
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2009 |
west Brunswick Sculpture Triennial, 135 Union Street Brunswick and Ocular Lab, Melbourne. Curators: OSW. |
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Instructional Models, Blue Oyster Art Project Space, Dunedin, New Zealand. Curators: Terri Bird and Julie Davies |
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2008 |
Melbourne Prize for Urban Sculpture, Federation Square, Melbourne |
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redrawing, RMIT Project Space and touring to Contemporary Art Services Tasmania Hobart. Curator: Fiona Macdonald |
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Everybody’s Free, Billboards nightclub, Melbourne. Curator: Ulanda Blair |
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Informal Rituals, TCB art inc, Melbourne. Curators: Alex Vivian and Helen Johnson. |
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Y-2K Biennale, TCB art inc, Melbourne. Curators: Chris Hill, Liv Barrett and James Deutcher |
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2007 |
workshop.non.stop, LOOSEprojects, Sydney. Curator Lisa Kelly |
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Shrine on, Platform artist spaces, Melbourne. Curators: Olivia Poloni and Jessie Borrell |
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Omnipresents, Gertrude Contemporary Art Spaces, Melbourne. Initiating artist: Christopher LG Hill, |
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2006 |
Five Minutes to Midnight, Victoria Park Gallery, Melbourne. Curator: Meredith Turnbull |
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Collaborative commission with Christopher LG Hill for SLAVE 4, Adelaide Biennale for Australian Art, Gallery of South Australia. |
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actual, transformational [winters end], Occupation, Carlton residence. Initiating artist: Bianca Hester |
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SCAPE, Christchurch, New Zealand .Initiating artist: Chris LG Hill |
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Greetings, Ocular Lab, Melbourne. Curator: Nicholas Selenitsch |
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Paper chain, Joint Hassles, Melbourne. Curator: Helen Johnson |
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2005 |
SLAVE 3, VCA Gallery, Melbourne. Curators: Christopher Hill, Kain Picken and Rob McKenzie |
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2004 |
Smash Your own Window, (with Starlie Geikie) CLUBSproject Inc, Melbourne |
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multipleMISCELLANEOUSalliances, CLUBSproject Inc, Melbourne. Curator: Bianca Hester |
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CLUBS at the Pines, incorporating 24 hr Love, Gippsland Centre for Art/Design Switchback Gallery, Victoria |
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White Hot – New Art from Different Places, City Lights Hosier Lane, Melbourne, Curator: Christian Thompson |
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2002 |
IQ, Counihan Gallery, Melbourne. Curator: Colin Duncan |
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OCCUPY, Fitzroy Town Hall, Melbourne. Curator: Angela Bailey |
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2001 |
Hanging Tough, Waikato Polytechnic Gallery, Hamilton, New Zealand. Curator: Oliver Wearne |
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Eat My Art, TCB art inc, Melbourne. Curator: Michelle Ussher |
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2000 |
Concrete Living Room, 1st Floor Artist and Writers' Space, Melbourne. Curator: Bridget Crone |
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Fascination, Centre for Contemporary Photography, Melbourne. Curator: Charlotte Day |
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1999 |
Truck, Queen Victoria Market, Curator: Callum Morton |
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1997 |
Transparency, Platform 2, Flinders Street Station, Melbourne. Curator: Jo Scicluna |
CURATORIAL PROJECTS |
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2006 |
Collaborative curatorial project with Nadine Christenson, Lizzy Newman and Laressa Kosloff (CLUBSpoject Inc.), Ocular Lab, Brunswick 2004 SMASH YOUR OWN WINDOWS, CLUBSproject Inc. THERE’S A HOLE IN THE BUCKET, CLUBSproject Inc. |
CRITICAL WRITING |
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2008 |
It And Then Some, An critical response to Fiona Macdonald’s practice in ‘Gratuitous Intent.’ |
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Tentative Typology of Alternatives, in ‘Critical Publics’ an Enjoy (Wellington NZ) journal. |
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Fags and Flags, Utopian Slumps catalogue essay for Marcus Keating. |
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CRACKS, a creative response in the ‘Objects in Space catalogue.’ |
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2007 |
MORE HONEY www.more-honey.blogspot.com; |
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The Posture Repeats. A catalogue essay for Alex Martinis Roe’s exhibition - Habitat. Midsumma; |
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Baubles, blood and bushes. Natural Selection for the Documenta 12 ‘magazines of magazines’ www.naturalselection.org.nz |
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2006 |
Projecting on the Project 3 times, A response in Bianca Hester’s ‘Project Projects’ catalogue. |
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Outside 200 Gertrude Street published via www.with-out.blogspot.com as an appendant to WITHOUT at GCAS |
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2005 |
The Hole Volume; ACCA online magazine ‘There’s a Hole in the Bucket. |
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2003 |
Published in Natural Selection. An online art magazine that reviews art and culture in the Australasian region. Oliver Wearne sits on a fence www.naturalselection.org.nz/ archive/2/2.0.1_editorial.pdf |
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2002 |
Catalogue essay for Arting Around - a George Paton Gallery exhibition for Carly Fischer and Geneine Honey. |
GRANTS |
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2009 |
Asialink/Australian Council funded Singapore post-museum Residency |
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2008 |
Presentation grant from Arts Victoria for Studio Conditions |
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2006 |
New Work Grant (for emerging artists) Australia Council for the Arts; Australian Postgraduate Scholarship |
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2003 |
Next Wave Festival and NAVA |
PUBLICATIONS |
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2009 |
Bianca Hester gathering gathering Artichoke Magazine February |
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2008 |
Bianca Hester Enabling Restraints VCA Gallery Research Publication. |
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OSW (Terri Bird, Bianca Hester, Scott Mitchell) Studio Conditions VCA Margaret Lawrence Gallery exhibition catalogue |
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Fiona Macdonald Redrawing, May 2008 RMIT Project Space exhibition catalogue |
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2005 |
Bianca Hester http://www.squatspace.com/situation/index.php?s=bianca+hester Bianca Hester Things Full of People, published and distributed during the exhibition SITUATION; Museum of Contemporary Art Sydney |
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2004 |
Robert Nelson, The Age - A3 section, Fixing the Hole in the Bucket, 04/6/04 |
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2001 |
Timothy Moore, Like Art Magazine, review of whitewall_10, published by RMIT. |
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2000 |
Charlotte Day, Making it Up in the Next Wave Festival catalogue |
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Bridget Crone, Concrete Living Room catalogue, published 1st Floor Artists and Writers Space. |
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Robert Nelson, ‘The Grass is Always Greener’, The Age, 23/4/2000. |