SUSAN JACOBS |
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EDUCATION |
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1999 |
Post Graduate Diploma in Visual Art, Victorian College of the Arts, The University of Melbourne |
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1995 |
Bachelor of Visual Art, The University of Newcastle |
SOLO EXHIBITIONS AND COLLABORATIVE PROJECTS |
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2009 |
Security. Illusion. (VCA Projects), VCA Margaret Lawrence Gallery, Melbourne |
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2008 |
Ubiquitous Slopes, Utopian Slumps, Melbourne |
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Exhausted Nature (collaboration with Andrew Hazewinkel), Conical Inc. Melbourne |
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Side Effect, The Narrows, Melbourne |
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2007 |
For Every Solution There Is A Problem, Ocular Lab Inc, Melbourne |
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2006 |
Pitch – A Collaborative Drawing (with Lisa Benson) Victoria Park Gallery, Melbourne |
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2005 |
Studies for Shifting Stable Parts, Seventh Gallery, Melbourne |
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2005 |
Peripheral Static – Impulse Plan, MIR–11, Melbourne |
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2003 |
Abject Arousal (with Carly Fischer), Conical Inc, Melbourne. Curator: Angela Brophy |
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2001 |
Recoder, Charles Nodrum Gallery, Melbourne |
GROUP EXHIBITIONS |
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2009 |
The West Brunswick Sculpture Triennial (collaboration with Ardi Gunawan), Anstey and Ashton and 135 Union Street, West Brunswick |
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Broken Fall (with Lou Hubbard and Katie Lee), St Pauls Street Gallery, Auckland University of Technology, and Newcall Gallery, Auckland, New Zealand |
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Wilson HTM Art Prize, Jan Murphy Gallery, Brisbane |
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2008 |
The Ecologies Project, Monash University Museum of Art, Melbourne |
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Print Project, The Narrows, Melbourne |
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2020?, Next Wave Festival (collaboration with Bridie Lunney) North Melbourne Meat Market. Facilitated by Ash Keating |
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Depot, Grenda’s de-commissioned bus depot, Dandenong, Victoria |
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2007 |
A4 ART, West Space, Melbourne |
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All In An Afternoon, Monash University Faculty Gallery, Melbourne |
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Structure Space and Place, Kangaroo Ground War Memorial, Victoria. Curator: Tony Trembath |
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House Project, 26 Surf Street, Merricks Beach, Victoria |
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2006 |
Opening Exhibition, The Narrows Contemporary Art Space, Melbourne |
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An Occupation, 236 Drummond Street, Melbourne |
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Selekta, West Space, Melbourne |
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Marking Time, Conical Inc, Melbourne |
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2004 |
Robert Jacks Drawing Prize, Bendigo Art Gallery, Victoria |
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There’s a Hole In the Bucket, Clubs Inc, Melbourne. Curator: Spiros Panigirakis |
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Combined Operations / Joint Operations, Conical Inc, Melbourne |
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Containers Project (Next Wave Festival), Federation Square, Melbourne |
GRANTS / AWARDS |
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2009 |
Arts Victoria, Arts Development – Creation Grant |
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Highly Commended Award – Wilson HTM Art Prize |
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2008 |
Australia Council for the Arts, New Work Grant (Emerging Artist) |
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1999 |
A.N.Z Bank Visual Arts Fellowship Award – The Victorian College of the Arts |
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1999 |
Postgraduate Prize, Selected by Jacques Derrida |
PUBLICATIONS / REVIEWS |
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2009 |
Rebecca Coates, ‘Ubiquitous Slopes’, Art And Australia, March 2009 |
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Max Delany, ‘Looking Back: Emerging Artists’, Frieze Magazine, January 2009 |
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2008 |
Geraldine Barlow and Kyla McFarlane, ‘The Ecologies Project’, exhibition catalogue |
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Parsing with Scott Miles (ISBN 978-0-646-49391-6). Artist’s book produced during The Narrows Print Project, May 2008 |
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2008 |
Geraldine Barlow, ‘Depot’, exhibition catalogue essay, www.depot-installation.blogspot.com |
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Penny Webb, ‘Depot’,The Age, April 12, 2008 |
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Fiona Dalziel, ‘Depot’, ABC TV, Sunday Arts, April 20, 2008 |
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Melissa Loughnan, ‘For Every Solution There Is A Problem’, un. magazine. |
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2007 |
Lisa Byrne and Angela Brophy, ‘All In an Afternoon’, exhibition catalogue. |
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Simon Cooper, ‘Merricks Beach House’,www.26surfstreet.blogspot.com |
COLLECTIONS |
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Victorian College of the Arts Collection, Melbourne |
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Methodist Ladies College Art Collection, Melbourne |
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Private Collections |